Art and hacktivism in debate

The intersections of artistic practices, hacking and economy are the theme of the meeting Interrupção em Rede: Repensando Oposições em Arte, Hacktivismo e Negócios da Rede Social (Interruption Network: Rethinking Oppositions in Art, Hacktivism and Social Network Business), to be held at IEA on May 23 at 3.00 pm in the Event Room.

The exhibitor will be the Italian researcher Tatiana Bazzichelli, who studies the relationship between artistic manifestations and the business of social media. The conference will be held in Italian with consecutive translation by Massimo Canevacci, visiting Professor at IEA.

At the event, Bazzichelli will talk about the conditions for hacker and artistic practices on Web 2.0 and how social networks can develop and incorporate these digital culture practices. Examples of network art and hacking in California and Europe that challenge the notions of power and hegemony will also be presented.

Bazzichelli is a postdoctoral fellow at the Center of Digital Media’s Innovation Incubator of the Leuphana University of Lüneburg, Germany, and holds a PhD in Media Studies and Information from Aarhus University, Denmark. She is also a member of the curatorial team of Transmediale Festival Berlin and author of Networking. La rete come arte (2006) /Networking. The Net as Artwork (2008).

Canevacci is Professor of Cultural Anthropology and of Digital Art and Culture at Università Degli Studi di Roma 'La Sapienza', Italy. His studies focus on ethnography, visual communication, art, and digital culture. The research he has been developing at IEA, situated among these themes, includes four main conceptual frameworks: self-representation, ubiquity, visual fetishism, and critical and experimental theory.